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Cardboard, fabric, 80 gsm white recycled paper
25 x 25 x 30 cm
Edition 5 (100 m)*
A translation of the Melilla Fence: 100 meters of its concertina wire—sharp, harrowing—transformed into delicate and ephemeral pieces of recycled paper confetti.
During a conversation with Rocío Madrid (a photographer from Málaga based in Melilla), a persistent story emerges: for years, the clothes, shoes, and blankets trapped in the fence were never removed. Until one day, everything disappears. Not for repair, not for mourning. The city is preparing for the mayor's daughter's wedding. This occasion decides what is erased.
The piece shifts this story toward an ambiguous gesture. The structural violence of the fence is reconfigured into a ceremonial object: a wedding box containing confetti. An element associated with celebration, produced from that which tears apart.
The initials and the wedding date—along with the inscription "100 meters"—define the edition. A private event contains an (impossible) measure of a border.
3.000 €
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Polaroid photograph, methacrylate
17.5 x 11.5 x 2.5 cm
Unique editions
Polaroid unique copies, documentation from the installation and finissage of DL.25.001-M – as well as some portraits from visitors – at Hybrid Art Fair (2026). Stamped with date. Unique copies, framed.
350 €
[ VIEW PROJECT]
Polaroid photograph, methacrylate
17.5 x 11.5 x 2.5 cm
Unique editions
Polaroid unique copies, documentation from the installation and finissage of DL.25.001-M at SAM! (2025). Stamped with date. Unique copies, framed.
DL.25.001-M finissage was meant as both a questioning and a play. When does an object become garbage, a ruin? With confetti, perhaps the instant it touches the floor. Or as soon as it is thrown away. Was the 2.5-ton mountain already a ruin when installed—a landscape of waste, or of celebration? Together we ruined it further, landscaped it further: people jumped over it, through it, into it, throwing kilos of it at each other. What remained was a wreckage—or perhaps it had always been one—a literal end to the party. A collective experience on destruction as creation.
350 €
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250 gsm cotton paper, confetti, stamp, glassine envelope
142 x 29,7 cm
150 Unique editions
The inaugural exhibition from DORIAN LOCI, DL.25.001, presents two series of prints— A3 and A5 —each limited to a run of 150 performative copies. The 2.5-ton confetti mountain, the central piece of the exhibition, will be the material from which each archaeological print will be created—through the performative action of rubbing each print on the mountain, collecting remnants and producing, with each step, a unique edition. Each copy will be stamped with the collection date and packaged into a glassine envelope.
Any time the work is shown the public will be responsible for making their own pieces. After any of the exhibition close –or when ordered online—the prints will be made by the artist, Virginia de Diego.
180 €
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